Through my street photography of London and its people, the interactive photography project 'Moving With The Unconscious' explores the potential that an image has, generating meaning when combined together with text. It questions how differently each of our unconscious minds work when we are exposed to an image without the usual labels and titles that accompany it. It questions the way we see the world, the way we read images, and what they represent for us depending on our unique understanding of the world.
I created a space where visitors could delve into their own understanding of the images by sitting down and taking their time observing the photographs, with instructions to match them with the words given, using the table as their canvas.
In such a fast-paced information age where we are constantly bombarded with images and being told what they represent, I wanted to challenge the visitors to take their time to observe the photographs and question what it means for them instead. Having a manual experience of holding and feeling the photographs, I believe transforms the relationship we form with an image.
Through my street photography of London and its people, the interactive photography project 'Moving With The Unconscious' explores the potential that an image has, generating meaning when combined together with text. It questions how differently each of our unconscious minds work when we are exposed to an image without the usual labels and titles that accompany it. It questions the way we see the world, the way we read images, and what they represent for us depending on our unique understanding of the world.
I created a space where visitors could delve into their own understanding of the images by sitting down and taking their time observing the photographs, with instructions to match them with the words given, using the table as their canvas.
In such a fast-paced information age where we are constantly bombarded with images and being told what they represent, I wanted to challenge the visitors to take their time to observe the photographs and question what it means for them instead. Having a manual experience of holding and feeling the photographs, I believe transforms the relationship we form with an image.
Through my street photography of London and its people, the interactive photography project 'Moving With The Unconscious' explores the potential that an image has, generating meaning when combined together with text. It questions how differently each of our unconscious minds work when we are exposed to an image without the usual labels and titles that accompany it. It questions the way we see the world, the way we read images, and what they represent for us depending on our unique understanding of the world.
I created a space where visitors could delve into their own understanding of the images by sitting down and taking their time observing the photographs, with instructions to match them with the words given, using the table as their canvas.
In such a fast-paced information age where we are constantly bombarded with images and being told what they represent, I wanted to challenge the visitors to take their time to observe the photographs and question what it means for them instead. Having a manual experience of holding and feeling the photographs, I believe transforms the relationship we form with an image.
Through my street photography of London and its people, the interactive photography project 'Moving With The Unconscious' explores the potential that an image has, generating meaning when combined together with text. It questions how differently each of our unconscious minds work when we are exposed to an image without the usual labels and titles that accompany it. It questions the way we see the world, the way we read images, and what they represent for us depending on our unique understanding of the world.
I created a space where visitors could delve into their own understanding of the images by sitting down and taking their time observing the photographs, with instructions to match them with the words given, using the table as their canvas.
In such a fast-paced information age where we are constantly bombarded with images and being told what they represent, I wanted to challenge the visitors to take their time to observe the photographs and question what it means for them instead. Having a manual experience of holding and feeling the photographs, I believe transforms the relationship we form with an image.
Through my street photography of London and its people, the interactive photography project 'Moving With The Unconscious' explores the potential that an image has, generating meaning when combined together with text. It questions how differently each of our unconscious minds work when we are exposed to an image without the usual labels and titles that accompany it. It questions the way we see the world, the way we read images, and what they represent for us depending on our unique understanding of the world.
I created a space where visitors could delve into their own understanding of the images by sitting down and taking their time observing the photographs, with instructions to match them with the words given, using the table as their canvas.
In such a fast-paced information age where we are constantly bombarded with images and being told what they represent, I wanted to challenge the visitors to take their time to observe the photographs and question what it means for them instead. Having a manual experience of holding and feeling the photographs, I believe transforms the relationship we form with an image.
FASHION & LIFESTYLE
FASHION & LIFESTYLE
FASHION & LIFESTYLE
BIGE TARGIT
Photographer & Videographer
MOVING WITH THE UNCONSCIOUS
interactive photography exhibition
Through my street photography of London and its people, the interactive photography project 'Moving With The Unconscious' explores the potential that an image has, generating meaning when combined together with text.
It questions how differently each of our unconscious minds work when we are exposed to an image without the usual labels and titles that accompany it. It questions the way we see the world, the way we read images, and what they represent for us depending on our unique perception of the world.
It is designed to invite the visitors to delve into their own understanding of the images by sitting down and taking their time observing the photographs, with instructions to match them with the words given, using the table as their canvas.
In such a fast-paced information age where we are constantly bombarded with images and being told what they represent, I wanted to challenge the visitors to take their time to observe the photographs and question what it means for them instead. Having a manual experience of holding and feeling the photographs, I believe transforms the relationship we form with an image.
Some of the visitors' creations:
